Image_1 is liu. Image_2 is wen. Image_3 is cun. Image_4 is the room environment. Image_5 is the fixed blocking map and camera position map. Create a 10-second realistic cinematic dialogue scene. Keep all three characters locked to the exact positions from image_5: wen is seated on the sofa, liu is standing at the lower-right area of the rug, cun is standing near the back entrance/opening. The camera starts from the blue cam position in image_5. Preserve exact spatial continuity from image_4 across every cut. The tone is quiet, tense, restrained, and cinematic, like three people inside a temporary safe apartment just before beginning something serious. No overlapping speech. No subtitles. 第1镜(0-3s) Image_5のカメラ位置からのミディアムワイドショットで、Image_4の部屋にいる3人のキャラクター全員がはっきりと見えるようにします。Wenはソファに座っており、落ち着いていますが警戒しています。Liuはラグの右下エリアに立っており、wenの方に少し角度をつけています。Cunは奥の入り口近くに立っており、その先の空間を監視しています。Wenがまず低く抑えた声で話します。 Wen: “Everyone made it back?” 第2镜(3-6s)ソファに座っているwenと近くに立っているliuに焦点を当てたクローズアップに切り替えますが、同じ部屋の連続性を維持します。Liuは briefly scans the room, then answers in a calm voice with a slight edge of caution: Liu: “Yeah. Too quiet, if you ask me.” 話し終えた後、liuはcunの方に視線を移します。第3镜(6-8s) Image_5と全く同じ位置にいる奥の入り口エリアのcunのミディアムショットに切り替えます。Cunは開口部の方を見てから、他の人たちの方を振り返り、はっきりと穏やかに話します。 Cun: “I checked the outside. For now, we’re clear.” 第4镜(8-10s) 3人全員を含む構図、またはソファのwenに焦点を当てつつもグループの関係が読み取れるように少しタイトなフレーミングに戻します。Wenは視線を定め、決断し、静かに言います。 Wen: “Good. Then we move now.” Performance rules: - All three characters must appear clearly within the 10 seconds. - Wen remains seated on the sofa for the entire scene. - Liu remains standing on the rug area. - Cun remains standing near the back entrance. - Eye-lines must be accurate: liu looks toward cun after speaking, cun checks outward then looks back, wen leads from the sofa. - Acting should be subtle, grounded, realistic, and film-like. Visual rules: - Use image_4 for room layout, lighting, furniture, and atmosphere. - Use image_5 for exact blocking and camera geography. - Clean shot-to-shot continuity, no overlap dissolves, no double exposure, no layered composite framing. - Natural cinematic cuts only. Negative: no identity drift, no wrong positions, no wen standing up, no random walking, no exaggerated acting, no extra characters, no environment change, no subtitles, no overlapping dialogue, no layered multi-shot blending.