【整体风格】영화적인 사실적 질감의 절제된 초자연적 반전 코미디로, 우아한 선협 시간 마법, 정교한 시각적 착각, 실제 정지 물리학 효과 및 섬세한 인물 미세 연기를 결합합니다. 웃음 포인트는 캐릭터의 본성이 예상치 않게 드러나는 것에서 오며, 넘어지거나 벌을 받거나, 현대 시스템이 오작동하거나 공개적으로 창피를 당하는 등의 구식 패턴은 사용하지 않습니다. Seedance 2.0의 다중 모드 참조 제어 및 통일된 오디오-비주얼 공동 생성을 위해 설계되었습니다. 【角色】캐릭터 A｜검선 언니 @[ref image] 1을 캐릭터 A의 엄격한 신원 및 의상 참조로 사용합니다. 동일한 25-30세 동아시아 검선 언니, 동일한 얼굴, 날카로운 어두운 눈, 검은 긴 머리, 옥 비녀, 늘씬한 몸매, 흰색 자수 실크 한푸, 반투명한 여러 겹의 넓은 소매, 은색 장신구 및 흰색 천 부츠를 완전히 유지합니다. 캐릭터 B｜자전거 언니 @[ref image] 2를 캐릭터 B의 엄격한 참조로 사용합니다. 동일한 25-30세 동아시아 자전거 언니, 동일한 얼굴, 포니테일, 신체 비율, 의상, 장신구, 자전거 및 버블티 컵을 완전히 유지합니다. 【镜头 1｜0-5s｜낮은 앵글 전체 샷 추적】 16:9 가로 화면, 비 온 뒤 맑은 현대 보행 광장, 축축한 바닥의 반사, 커피 테이블, 나무, 유리 상점가, 바람에 날리는 나뭇잎이 선명하게 보입니다. 동일한 자전거 언니가 자전거를 타고 화면으로 들어오고, 앞바퀴가 살짝 미끄러지면서 균형을 잃기 시작합니다. 버블티 컵, 검은색 타피오카, 휴대폰, 흩어진 나뭇잎이 동시에 공중으로 날아갑니다. 동일한 검선 언니가 돌아서서 낮은 목소리로 "정지."라고 말합니다. 시간이 순간적으로 정지되고, 공중에 떠 있는 모든 물체, 밀크티 액체 방울, 타피오카가 정확히 멈춥니다. 도시의 주변 소음이 갑자기 사라지고, 낮고 맑은 마법 공명 소리만 남습니다. 【镜头 2｜5-10s｜연속 회전 미디엄 샷】동일한 흰색 자수 실크 한푸를 입은 검선 언니가 침착하게 정지된 화면으로 걸어 들어가 동일한 자전거를 똑바로 세우고, 동일한 휴대폰을 자전거 언니의 손에 다시 놓아주고, 동일한 밀크티 컵으로 떠 있는 타피오카를 모두 받아내고, 그녀의 몸의 중심을 살짝 조정합니다. 떠나기 전에 그녀는 좌우를 한 번 쳐다보고, 몰래 동일한 버블티를 들고 한 모금 빠르게 마신 후, 즉시 두 손을 뒤로 한 시크한 자세를 되찾습니다. 【镜头 3｜10-15s｜클로즈업으로 두 인물 샷 전환】검선 언니가 손가락을 한 번 튕기자 시간이 매끄럽게 복원됩니다. 동일한 자전거 언니는 안전하게 착지하고 진정으로 놀란 표정을 짓습니다. 그녀는 갑자기 가벼워진 밀크티 컵을 확인하고, 검선 언니의 입가에 검은색 타피오카가 묻어 있는 것을 발견하고는 의심스럽게 묻습니다. "언니, 시간을 멈춘 게 고작 한 모금 몰래 마시려고요?" 극도로 가까운 클로즈업: 동일한 검선 언니는 침묵하며 밀크티를 삼키고, 입가의 타피오카를 닦아내며 침착하게 대답합니다. "사람을 구하면서 겸사겸사." 화면은 자전거 언니의 의심스러운 시선과 검선 언니의 애써 침착한 표정으로 정지됩니다. 【技术要求】엄격한 총 길이 15초, 세 개의 깔끔한 샷, 모든 물체의 움직임 궤적이 앞뒤로 일관되어야 하며, 캐릭터의 신원과 의상이 안정적이어야 하고, 표준 중국어 입 모양이 정확해야 하며, 시간 정지 시 소리 전환이 정확하게 동기화되어야 합니다. 밀크티 액체, 타피오카, 머리카락, 실크 의류, 자전거 및 바닥 반사의 물리적 효과가 사실적이어야 하며, 화면 자막은 생성하지 않습니다. 【负面词】 blurry, bad quality, low quality, low resolution, noisy, jpeg artifacts, watermark, text, error; deformed, mutated, bad anatomy, poorly drawn hands, bad composition, out of frame, disfigured; inconsistent character, changing clothes, face morphing, background shift, glitching cuts, disappearing props
국수집 코미디
사실적인 국수집에서 코믹한 장면을 담은 시네마틱 슬라이스 오브 라이프 비디오. 약삭빠른 여주인이 흥정을 시도로 놀라운 판매로 바꾸며 그녀의 재치와 매력을 강조합니다.
프롬프트
SCENE 1: 【REFERENCE LOCK】 Reference Image 1 hf_20260730_044943_833909d3-0181-4d86-b4ad-8fdd91945fbd for the proprietress #1. Wearing hf_20260730_045132_8f945ce1-0e33-4e9c-86c6-5b5bdb0b0185 Highest priority for leg proportions, sheer sock texture, sofa sitting posture, and black high heels placement; maintain the pre-set face, hairstyle, makeup, and clothing for #1. Reference video for the highest priority for the small restaurant space, the appearance, physique, clothing, and natural performance rhythm of man #2 and customer #3 . #1, #2, #3 are all adults; no face swapping, duplication, merging, or identity interchange. 【OVERALL SETTING】 Realistic small restaurant slice-of-life comedy. Proprietress #1 sits on the sofa in the left-rear休息区 (resting area), scrolling on her phone, adopting a restrained, natural "siren-like pose": body leaning against the sofa, one shoulder slightly lowered, waist and back forming a natural, soft S-curve; legs elegantly crossed and slightly extended forward, toes relaxed; head gently tilted, long black hair falling naturally over one shoulder. Her posture is quiet, languid, and attractive, but she does not actively flirt with customers, nor does she lick her lips, bat her eyelids, or deliberately twist her body. Man #2 sits at the first old green dining table in the front-right, eating noodles. Customer #3 sits at another separate dining table in the rear-right, also eating noodles. There is a clear aisle between the two tables, and they are absolutely not sitting at the same table. Man #2 briefly stares at proprietress #1 while eating noodles, then calls her to get an orange drink. Customer #3 is seen eating noodles at their separate table from their first appearance, establishing their spatial position for the subsequent twist. 【REALISTIC FILMING】 Unprocessed iPhone handheld real video. 9:16 vertical screen, 1080×1920, 30fps, 26—28mm equivalent focal length, filmed by an ordinary customer standing approximately 1—1.5 meters away. Automatic exposure, auto-focus, auto white balance. Retain slight hand shake, breathing fluctuations, half-beat delay in reframing, brief focus search, motion blur, local overexposure by the window, and noise in dark areas. No filters, no beauty mode, no skin smoothing, no cinematic lighting, no stabilizer camera movement, no artificial shallow depth of field. Retain realistic skin texture, stray hairs, clothing wrinkles, and natural reflections on sheer socks. 【CHARACTER POSITIONS】 Proprietress #1: Left-rear, beige-grey two-seater sofa. Leaning against the sofa, scrolling on her phone, maintaining a natural siren-like sitting posture, temporarily not paying attention to the customers. Man #2: Front-right, first old green dining table, eating noodles alone, the one who calls for a drink. Customer #3: Rear-right, second separate old dining table, about one meter away from man #2, with a clear aisle in between. He eats noodles alone, not synchronizing actions with man #2, nor speaking prematurely. 【SPACE AND PROPS】 Left-rear: Beige-grey sofa, proprietress's phone, a pair of black high heels placed by her feet, one closer to the camera. Central-rear: Beverage cooler, service counter, beige ledger. Front-right, first table: Man #2, a bowl of noodles, a pair of chopsticks, a small dish of condiments. Rear-right, second table: Customer #3, another bowl of noodles, another pair of chopsticks, another small dish of condiments. The tables, noodle bowls, chopsticks, and condiments for the two male customers are completely separate; no sharing, duplication, or exchange. There is only one bottle of orange drink in the cooler: approximately 500ml transparent hard plastic bottle, with naturally translucent orange-yellow liquid inside, and a colored tamper-evident twist cap. Only this one bottle appears in the entire film; it must not appear on the dining table prematurely. 【15-SECOND STRICT STORYBOARD】 → 0—2 seconds: Low-angle shot establishing the feet The shot begins with proprietress #1's legs draped over the edge of the sofa. She maintains a restrained siren-like sitting posture: legs naturally crossed, slightly extended forward, sheer socks with delicate but not excessive realistic reflections, toes naturally relaxed. A pair of black high heels are on the wood-grain floor, one closer to the foreground. Auto-focus briefly searches, then lands on the front foot and the edge of the sofa. The shot is a quick, natural establishment of daily life, not a slow scan of the legs. → 2—4 seconds: Mid-shot of proprietress on sofa The photographer naturally raises their arm, and the camera quickly moves up to the proprietress's upper body. She leans against the sofa, one shoulder slightly lowered, waist and back forming a soft S-curve, head gently tilted, long hair falling over one shoulder. She looks down, scrolling her phone with her thumb, a very slight smile on her lips due to the phone's content, her demeanor quiet and languid, not looking at the two customers. Focus naturally drifts from the foreground to her face. → 4—6.8 seconds: Two dining tables in the same frame Hard cut to a slightly wider mid-shot of the right dining area. Man #2 sits at the first table in the front-right; customer #3 clearly appears at the second table in the rear-right. There is a clear aisle between the two tables. Man #2 slurps a mouthful of noodles, then looks up over his noodle bowl, gazing at the proprietress in the left-rear. His chopsticks pause by his mouth, remaining noodles briefly suspended between the chopsticks and the bowl, he is naturally spacing out. Customer #3 continuously eats noodles at his separate table, lowering his head to pick, blow on, and chew noodles, not looking up, not synchronizing with man #2. → 6.8—8.5 seconds: Man #2 calls for a drink Man #2 blinks, comes back to his senses, finishes slurping the remaining noodles, raises his hand towards the proprietress and shouts: "Proprietress, another bottle of drink!" Customer #3 is still eating noodles at his own table in the rear-right, only pausing very slightly when he hears the sound, but not looking up or speaking. → 8.5—10.5 seconds: Proprietress responds and stands up Hard cut to a mid-shot of the proprietress. She stops scrolling her phone, looks up at man #2, and calmly replies: "Oh, coming." She locks her phone, places it face down on the sofa armrest. Then she ends her leaning posture, naturally leans forward, and slides her feet into the black high heels on the floor, then stands up. The phone must remain on the sofa armrest. → 10.5—12.5 seconds: Getting drink from cooler Hard cut to a side mid-shot of the cooler. The proprietress opens the old-fashioned glass cooler, takes out only one sealed orange drink bottle; with her left hand, she casually picks up the beige ledger from the service counter. After closing the cooler, she immediately turns into the central aisle, walking with her body slightly angled into an S-curve, hips gently swaying, legs錯位 (offset) to elongate, half-closed eyes looking forward with a cool expression. → 12.5—15 seconds: Delivered to Man #2's table Handheld camera follows the proprietress as she quickly moves from the left-rear to the front-right, creating natural up-and-down shaking and slight motion blur. She stops in the middle of the aisle between the two tables, body slightly angled towards man #2 on the left side of the frame, forming a graceful S-curve, neck elongated, half-closed eyes coolly looking at #2, placing the orange drink on #2's table: "Here's your drink." Last frame: The orange drink is still sealed, the proprietress holds the ledger in her left hand; the two male customers are sitting at two different dining tables. 【AUDIO】 Only natural in-scene restaurant sounds: cooler compressor, exhaust fan, distant conversations, slurping noodles, chopsticks clinking against bowls, high heels landing, cabinet door opening/closing, footsteps, and drink bottle touching the table. Dialogue with realistic restaurant reverb, volume changes naturally with distance. No background music, narration, canned laughter, or post-production sound effects. 【CONTINUITY REQUIREMENTS】 The proprietress always moves from the left-rear to the front-right. Man #2 is fixed at the first table in the front-right, and customer #3 is fixed at the second table in the rear-right; the two must not sit together. #3 must be clearly present from his first appearance in the dining area. The two dining
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