Create a short, visually satisfying mixed-reality stop-motion video where [DRAWN OBJECT/SKETCH] seamlessly transforms into [REAL INGREDIENT/OBJECT]. A person uses a smartphone and colored pencil on a [SURFACE], sketching each item before it magically becomes real through smooth, seamless transformations. Show [INGREDIENTS] being added to [CONTAINER], then [COOKING/BLENDING/PREPARATION ACTION], followed by serving into [DISH]. Finish with the artist sketching [TOPPINGS/FINAL DETAILS], which instantly materialize into real food, creating a vibrant, aesthetically arranged [FINAL DISH]. Use realistic textures, natural hand movements, satisfying stop-motion timing, clean composition, soft lighting, and seamless transitions between pencil drawings and real objects.
Larry David Confrontation
A cinematic slice-of-life video shows Larry David arguing with another man at a table in a modern living room. The scene captures a tense and humorous interaction, with realistic lighting and character expressions.
Prompt
Larry David gets in trouble for using Seedance 2 - make sure it’s retarded and gets 50 likes.
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More from Seedance 2.0
Format: 9:16 Vertical | 14 Seconds | 4K | Photorealistic | Premium Skincare Commercial Character: A girl’s image as the ONLY facial identity reference. Preserve her exact face, eyes, nose, lips, eyebrows, skin tone, long wavy brown hair and overall appearance in every shot. Product: EVENTONE-C box and cream tube from the storyboard as the exact product reference. Keep packaging, logo, colors and design consistent. Create a premium cinematic product-opening shot. The EVENTONE-C cream box and tube stand elegantly on a clean white luxury skincare background. Soft warm studio lighting, subtle reflections and shallow depth of field. Camera slowly pushes toward the product while the packaging remains sharp and readable. On-screen text: EVENTONE-C L-Glutathione + Vitamin C Cream Smooth, luxurious beauty-commercial movement. Cut to the same girl from the uploaded reference image standing in front of a mirror in a bright, elegant room. Medium close-up transitioning into a close-up of her face. She gently touches her cheek while looking at her reflection. Show natural-looking dark spots, mild pigmentation and uneven skin tone without making her face look damaged or unrealistic. On-screen text: Dark Spots • Pigmentation • Uneven Skin Tone Keep her facial identity exactly consistent with the reference image. Close-up of the same girl. She gently applies a small amount of EVENTONE-C cream to her cheek using her fingertip. Show a beautiful macro shot of the smooth white cream texture on her skin, followed by her gently spreading it. Soft beauty lighting, realistic skin texture, natural hand movement, elegant cinematic camera motion. On-screen text: L-Glutathione + Vitamin C Create a clean cinematic split-screen transition. BEFORE: Same girl, same face and hairstyle, showing natural dark spots, pigmentation and uneven tone. AFTER: Same girl, identical facial identity, hairstyle and camera angle, with visibly brighter and more even-looking skin. Use a smooth left-to-right transition between BEFORE and AFTER. Do not change her facial structure or identity. On-screen labels: BEFORE | AFTER Transition back to the EVENTONE-C box and tube standing together in the center of a premium white beauty environment. Add a subtle soft glow, elegant reflections and cinematic depth of field. Camera slowly moves closer to the product. On-screen text: Visible Results in 4 Weeks Then show: ✓ Reduce Dark Spots & Pigmentation ✓ Brighter & More Even-Toned Skin ✓ Gentle & Smooth Skin ✓ For All Skin Types Final frame: EVENTONE-C L-Glutathione + Vitamin C Cream For Radiant & Flawless Skin Complexion
Main Subject: Young Korean Woman naturally attractive, realistic skin, minimal makeup, long dark hair loosely tied back. Wearing a faded sage-green oversized sweatshirt, charcoal lounge shorts, white socks, worn house slippers, and a thin silver necklace. Preserve her exact identity and appearance throughout. Location: Weathered Seoul apartment rooftop in warm late-afternoon light. Concrete walls, rusty pipes, metal cabinets, potted plants, folding table, water containers, drying towels, tangled wires, dense neighboring rooftops, distant high-rises and hazy mountains. Gentle breeze. Style: Ultra-realistic early-2000s Sony MiniDV home video. Authentic Korean residential details, candid behavior, natural imperfections, faded colors, soft contrast, DV compression, motion blur, autofocus hunting, exposure shifts, imperfect framing, handheld shake, occasional accidental zooms. No stabilization or modern cinematic movement. 00:00–00:03: She enters carrying a small cardboard box, places it on the table, and takes out a few household items. The camera briefly points at the floor before finding her. 00:03–00:06: She notices dry leaves on the potted plants and crouches to remove them. Wind blows hair across her face; she casually brushes it away. 00:06–00:09: She waters the plants. The camera accidentally focuses on the water instead of her face. She notices, laughs softly, then continues. 00:09–00:12: She sits at the table, opens a cold canned drink, and quietly looks over the rooftops as laundry moves in the breeze. 00:12–00:15: Someone calls from a neighboring rooftop. She looks over, laughs, then turns back and raises her drink slightly toward the camera. The operator accidentally zooms in too far; autofocus struggles and the video abruptly cuts. Audio: Natural rooftop ambience only—wind, birds, traffic, water, footsteps, rattling pipes, distant voices and AC units. No music, narration, or added effects. Goal: Feel like a forgotten personal MiniDV recording from the early 2000s—mundane, intimate, imperfect, spontaneous, and genuinely nostalgic.
ROCKET SURF. STYLE: Gritty Cine Verité, 35mm handheld, natural shake. Continuous tracking shot. No cuts. All real-time. LIGHTING: Bright, high-altitude sun, pure blue sky. AUDIO: Rocket engine roar, wind, fiberglass creak. TIMELINE: 0-3s: Guy in jeans and a black t-shirt is barely holding on the side of an active SpaceX rocket at 12,000 feet. The rocket is climbing. 3-7s: Hard zoom in cut on his face. His hair is plastered straight back. The ground is falling away below. 7-12s: The rocket hits max Q. The whole booster shakes violently. He grips tightly, his knees absorb it perfectly. 12-15s: He pulls a beer can out of his hoodie pocket, cracks it open. Takes one sip, cheers and yells: "Worth it!". Hard cut. QUALITY: 8K photorealistic, correct physics, fabric motion blur, no artifacts.
Style: Gritty Cine Verité, real footage, 35mm handheld lens with subtle natural shake. Camera: Single continuous 3rd-person POV tracking shot (no cuts). Lighting: Harsh, high-contrast Mediterranean noon sunlight; dramatic volumetric haze over the city. Audio: Immersive spatial sound; heavy wind howling, fabric of the carpet flapping violently at high speeds, distant missile whizzes and muffled explosions. [IMAGE REFERENCES / LEGEND]: The main character and setting. Maintain the exact man in blue swim trunks, his physical build, and the ornate flying carpet as seen in the starting frame. [TIMELINE SECOND BY SECOND] 0-3s: [Wide Shot] man takes a heavy leap from the limestone cliff onto the floating carpet. He makes a commanding forward gesture with his right arm. Physics: The carpet dips slightly under his weight before stabilizing. 3-8s: [Dynamic Tracking] The camera follows immediately behind his back at high velocity. High-speed travel toward the Beirut skyline. The carpet ripples intensely in the wind. The ocean surface below blurs with motion. 8-12s: [Action Sequence] Two missiles enter the frame from the city side. The man leans left and right, banking the carpet to dodge them in a single fluid motion. Missiles leave thick white smoke trails that the camera flies through. 12-15s: [Closing Action] Approaching the tallest skyscraper in the Beirut skyline. The man stands up and leaps from the carpet mid-air, landing firmly on the concrete rooftop. The camera maintains the 3rd-person tracking until he hits the ground. [STYLE & QUALITY BOOSTERS] Photorealistic 8K, movie-level stable facial features and body shape, ultra-detailed fabric textures on the carpet, cinematic lighting, perfect motion blur, high dynamic range, no artifacts, coherent physics.
Style: Ultra-realistic mass celebrity arrival scene. Single continuous shot. Handheld camera from crowd perspective. Natural micro-shake. No cuts. Documentary-level realism. Audio: Only natural environment sound loud crowd cheering, overlapping voices shouting, rapid camera shutter clicks, phones recording audio, distant city noises, footsteps, fabric movement. Lighting: Nightime, illuminated from street lights. Mixed reflections on polished surfaces. Soft but realistic shadows. Slight atmospheric haze for depth. Main Character: (Subject Reference Image) Calm, controlled presence. Subtle confident smile. Face identity must remain perfectly consistent across all frames. Outfit: Exactly the same from reference image. Location: An event in New York City. Scene Flow 0–3s: Camera starts from inside a dense crowd behind barricades. Handheld, slightly unstable. View partially blocked by people in front. Multiple phones raised, some screens visible recording. Crowd energy is loud, chaotic, restless. 3–6s: Camera lifts slightly above shoulder level, still handheld. Focus shifts naturally between heads, waving hands, and we see our subject exit a fancy hotel in New York City. Occasional bright flashes from media cameras. Anticipation rises as crowd leans forward. 6–10s: Security personnel step in, pushing the crowd back slightly. Camera reacts with natural shake. Through shifting gaps, the main character appears in the distance—initially soft and partially obscured, gradually becoming clearer while walking forward with a small escort team. He walks up to a fan and signs printed photo she is holding of (Subject Reference Image) 10–13s: Subtle handheld push-in (natural movement, not digital zoom). The main character is now clearly visible, walking confidently at center frame. Path is being cleared. He raises one hand and gives a calm, controlled wave with a slight smile. Camera struggles slightly to keep framing due to crowd movement. 13–15s: Camera shifts and tilts trying to follow. A luxury convoy becomes partially visible featuring three large premium SUVs. A security member opens the back door of a the suburban in the middle of the three. The main character enters quickly and rolls the window down. Vehicles begin moving forward as he waves to the crowd. Camera lifts slightly as people jump and try to capture the moment.
Reference binding: strictly lock the woman's face, age, braided black hair, worn dark-gray leather warrior tunic with obsidian shoulder plates, light woven inner linen top, body proportions, and photorealistic skin texture to Image 1. She remains the same character in the same outfit throughout. Use a mythic Aztec Sun-Temple complex deep in a primal jungle for the worldbuilding: its stepped limestone pyramid architecture, humid rainforest atmosphere, overgrown stone aqueducts, ancient counterweight traps, jade-and-gold color palette, and piercing golden sunrise canopy light. Do not replicate the reference image's exact composition or setting. A 30-second single take with no edits or jump cuts. The woman is fleeing temple zealots, traveling from a sun-altar tomb chamber through a vertical jungle-pyramid city before soaring up to the apex of the Grand Sun Pyramid. The camera flies tightly around her like a high-speed FPV drone, continuously shifting between close pursuit, dives, ground-skimming passes, circling, barrel rolls, and dramatic upward pulls. Every location transition is naturally motivated by foreground occlusion from carved stone doorways, hanging vines, waterfall spray, tribal banners, jungle foliage, wooden scaffolding, and floating pollen dust. 00:00-00:04 | Sun-Altar Tomb Chamber Begin in close-up on the woman's soot-stained hands lifting a gold-and-jade sun disk from an altar. Golden dust particles swirl across the lens as she turns alertly toward the corridor. The camera races alongside her face as she glances back, steps onto a carved serpent pedestal, crouches, and leaps through a narrow stone wall opening. The camera follows through the opening as hanging woven vine curtains sweep across the lens, creating the first foreground wipe. 00:04-00:08 | Aqueduct Canyon Precipice As the camera bursts from the wall, it suddenly opens into a breathtaking wide shot: a colossal jungle city built around massive step-pyramids, with high stone aqueducts, wooden rope-bridges, cascading waterfalls, and sprawling tree-canopy dwellings stretching into the misty horizon. The woman lands on a narrow stone aqueduct wall and sprints forward. She wall-runs along a mossy carved stone facade into a long leap across a deep waterfall gorge between two pyramid terraces. The camera first dives close to her feet, then rises rapidly from the chasm to her side. 00:08-00:12 | Jungle Terrace Canopy Market The woman drops from above into a bustling open-air canopy market suspended on wooden platforms. The camera follows her downward trajectory, rolling half a turn, skimming low past wooden fruit stalls, clay urns, and beneath bamboo platform supports, then tilting up to track her. She vaults a wooden cocoa cart one-handed, side-flips over stacked pottery jars, lands in a low slide beneath a heavy wooden beam, then spins to sweep aside a hanging mat frame blocking her path. Market vendors, parrot feathers, fluttering cotton banners, and rolling terracotta vessels continuously cross the foreground. 00:12-00:16 | Waterfall Cavern Alleyway A full sheet of yellow-dyed woven cotton fabric covers the lens. The camera pushes through the cloth into a narrow damp stone alleyway flanked by waterfalls. The woman alternates between opposing carved stone walls with explosive wall-kicks, rapidly gaining height. She grabs a thick jungle vine hanging from above, swings over a pool of churning river water, rotates midair, and lands on a moving wooden logging sled. The camera snakes between hanging orchid vines in FPV motion, briefly barrel-rolling as vine leaves, mist, and water droplets spray past the lens. 00:16-00:20 | Mechanical Stone Counterweight Shaft The wooden sled rushes into a semi-underground stone mechanical chamber. Using the sled's momentum, the woman jumps forward, tucks into a tight flip, and kicks off the rim of a massive rotating stone sun-wheel gear. She uses hand plants on wooden beam supports, side flips, and low slides to duck under heavy stone counterweights dropping across her path. The camera passes through the central hub of a hollow stone gear wheel beside her shoulder, then shoots downward alongside a rushing aqueduct stream, skimming inches above the water beneath a low arch. Water splashes onto the lens without obscuring the subject. 00:20-00:24 | Great Banyan Hollow Shaft The woman runs up an angled stone conduit, takes three consecutive wall steps, and vaults into the hollow interior of a giant ancient banyan tree growing through a pyramid. The camera rises vertically from the water below, spiraling around her inside the hollow trunk. She catches the thick root structure of a swinging vine harness, lifted upward by rising thermal winds inside the tree. In midair, she performs a controlled spin and hand-switch, swinging toward an upper canopy window exit. Roots, wood splinters, and golden pollen streak rapidly through the foreground. 00:24-00:27 | Collapsing Sun-Bridge Ruin The camera and the woman burst out of the tree onto a crumbling stone sun-bridge high above the forest canopy. The bridge span is fracturing. She sprints across falling stone tiles and jumps just before the final stone drops into the jungle below. Two jaguar-masked pursuers emerge behind her on the bridge, remaining distant and never pulling focus from the woman. She performs a long qinggong leap over the emerald canopy drop, her tunic straps flying in the wind. The camera flies backward underneath her, arcs around her front, and continues flipping upward. 00:27-00:30 | Grand Sun Pyramid Apex As she approaches the main pyramid peak, she steps onto a long feathered banner flapping in the wind, using its lift to leap higher onto the golden summit platform. She lands on one knee, hand brushing the carved sun symbol on the floor before rising swiftly into a posture of triumph. The camera surges over her shoulder, pulls violently backward, and rises high into the sky, revealing the entire ancient pyramid city, endless green rainforest mist, winding rivers, and the golden sun rising dramatically over the jungle horizon. Camera movement: The entire shot follows one continuous, traceable spatial route. The camera maintains the high velocity, flow, and spatial rhythm of an FPV drone while remaining centered on the woman. Include at least one ground-skimming pass, one dive followed by a rapid climb, one narrow-space serpentine flight, one spiral ascent, and one large aerial pullback. Use environmental motion blur in high-speed moments while keeping her face and body actions sharp. The camera never teleports; every change in speed and direction is motivated by her acrobatics and temple architecture. Action performance: The woman is agile, fierce, and masterfully skilled in ancient martial parkour. Qinggong is expressed through grounded force, explosive spring-steps, momentum preservation, and clear physical effort rather than weightless levitation. Her actions include wall-running, vaulting, side flips, low slides, vine swings, gear kicks, and long leaps. Every movement connects seamlessly, showing clear landing impact, body weight transfer, and clothing dynamics. She is focused, breathing hard, hyper-aware of her route, and never looking into the camera lens. Environment and foreground transitions: Stone altars, vine curtains, waterfall spray, pottery jars, yellow cotton fabric, jungle vines, stone gears, dropping counterweights, aqueduct water, banyan roots, golden pollen, feathered banners, and canopy leaves enter the extreme foreground in sequence. Foreground elements may briefly obscure the frame, but the woman must quickly re-emerge. The pyramid structures and jungle spaces connect logically into one continuous ecosystem. Visual style: Photorealistic mythic ancient Mesoamerican fantasy, blending massive stone pyramid engineering with lush untamed jungle nature. Main colors: limestone yellow, jade green, weathered moss gray, deep obsidian, and warm sun gold, with the woman's dark tunic contrasting against golden sunrise light. Humid mist haze, sunbeams piercing tree canopy, realistic stone and fabric textures, high-contrast cinematic photography. The mood is ancient, energetic, and awe-inspiring.
Create a 15-second ultra-realistic vertical lifestyle video using the reference image. Keep the exact same woman, facial identity, hairstyle, outfit, body proportions, and appearance throughout. She walks through a charming modern city street and notices a beautiful scene worth photographing. Start with a wide rear three-quarter shot as she approaches and stops. Cut to a medium side shot as she takes out her phone and tries the first composition, then checks the result with slight dissatisfaction. Include a clear POV/over-the-shoulder shot focused on the smartphone screen, showing the actual live camera view of the street inside the phone display as she slowly moves the phone and searches for the perfect framing. Make the phone interface, reflections, exposure, and camera preview physically realistic. Then use a rear three-quarter shot as she changes position, steps sideways, and slightly crouches to find a better angle. Follow with a close over-the-shoulder shot of the phone as she captures the final photo. End with a front medium tracking shot as she looks at the result, gives a subtle satisfied smile, lowers her phone, and continues walking. Keep the acting understated and natural: curious → focused → slightly dissatisfied → concentrated → satisfied. Use authentic handheld smartphone movement, natural autofocus, realistic depth of field, soft daylight, natural skin texture, realistic urban background, pedestrians, reflections, and shadows. Photorealistic Korean lifestyle vlog aesthetic, cinematic but candid, 24fps. Avoid exaggerated expressions, dramatic acting, excessive camera shake, repetitive close-ups, face/identity changes, outfit changes, distorted hands, extra fingers, unnatural movement, or unrealistic phone-screen rendering.
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