Luxury Skincare Commercial Sequence

A cinematic luxury nail salon commercial featuring a professional nail artist creating an elegant manicure in a bright, modern beauty studio. Close-up macro shots show perfectly groomed hands as glossy nude gel polish is carefully applied with smooth, precise brush strokes. The camera captures detailed moments of nail shaping, cuticle care, UV lamp curing, and the final glossy finish. Soft natural lighting, marble countertops, premium beauty tools, and a clean minimalist aesthetic create a luxurious atmosphere. Smooth gimbal movements, macro lens close-ups, slow-motion polish application, shallow depth of field, realistic skin textures, ultra-detailed fingernails, photorealistic, luxury beauty advertisement, 9:16 vertical, cinematic color grading, 8K HDR, premium skincare and nail care commercial, highly realistic, flawless hand movements, elegant feminine aesthetic Negative Prompt: Low quality, blurry, watermark, logo, text, deformed fingers, extra fingers, bad anatomy, unrealistic hands, messy nail polish, flickering, shaky camera, poor lighting, oversaturated colors, artifacts, low resolution, cartoon, CGI look, noisy image, inconsistent nail shape.

Use the uploaded reference image as the exact character identity. Keep the same face, facial proportions, hairstyle, eyebrows, eyes, nose, lips, skin tone, body build, and overall appearance in every scene. Do not redesign, replace, or alter the character. Maintain 100% identity consistency throughout the video. Outfit Lock Keep the exact same outfit in every clip: premium matte black snowboarding jacket, black insulated snow pants, matte black helmet, reflective black ski goggles, black gloves, black snowboard boots, black snowboard with subtle silver accents. No outfit changes, no color changes, no accessory changes. Maintain perfect outfit consistency throughout the video. Style: Ultra-photorealistic live-action cinematic, IMAX scale, 8K HDR, 120 FPS, physically accurate snow simulation, premium Hollywood action film, realistic human movement, NOT animation, NOT CGI style, NOT cartoon. CLIP 1 Use the uploaded reference image as the exact character identity. Keep 100% facial identity consistency and the exact same snowboard outfit throughout the video. A towering alpine mountain covered in pristine deep snow during a dramatic golden sunrise. Powerful mountain winds blow across the ridge, creating drifting snow particles. A handsome athletic Korean male snowboarder wearing a premium matte black snowboarding jacket, insulated black snow pants, matte black helmet, reflective black ski goggles, black gloves, black snowboard boots, and a matte black snowboard with subtle silver accents stands on the mountain ridge. 0–2 seconds: Extreme cinematic close-up of his face. Cold breath is visible in the freezing air. Wind moves loose snow around him while his eyes lock onto the slope ahead with calm determination. Slow cinematic push-in camera. 2–4 seconds: He explosively pushes forward and begins descending the steep mountain. Powerful carving turns send enormous clouds of powder into the air. The camera tracks extremely close beside the snowboard, capturing detailed snow spray and realistic board flex. 4–6 seconds: A high-speed FPV drone races only meters behind him as he rapidly weaves between snow-covered pine trees, exposed rocks, and natural ice formations. The speed continuously increases with intense kinetic camera movement. 6–8 seconds: The mountain suddenly shakes. A deafening roar echoes across the valley as a gigantic avalanche breaks loose from the summit. Massive walls of snow, exploding ice, and dense powder begin rushing directly toward him. The camera briefly reveals the enormous scale of the avalanche before returning to the chase. 8–10 seconds: He glances over his shoulder, immediately lowers his body into an aggressive racing stance, and accelerates even faster. Snow explodes behind his board while the avalanche rapidly closes the distance. End the clip just as he launches toward a massive natural snow cliff, cutting before takeoff for a seamless transition. Cinematic IMAX lighting, realistic snow physics, authentic live-action movement, physically accurate momentum, dynamic FPV drone chase, ultra-low tracking shots, handheld action camera energy, volumetric sunlight, dramatic mountain atmosphere, premium Hollywood action cinematography, ultra-realistic textures, no fantasy elements, no animation, no unrealistic body motion.

Strictly generate a 15-second video, 16:9 aspect ratio, with three coherent and clear shots. [Overall Style] Cinematic realistic texture, beginning as a mysterious Xianxia spiritual encounter before transforming into a subtle heartwarming comedy. Grand classical Chinese mountain landscapes, cool moonlit tones mixed with warm lantern glow, restrained acting, rich atmospheric depth, realistic creature movement with believable weight, and a clear three-act narrative. [Character Locking] Character A | Sword Immortal Senior Sister Use @Image 1 to strictly lock Character A: an East Asian female, 25–30 years old, oval face, fair natural skin tone, dark almond eyes, long black hair half-up secured with a white jade hairpin, tall and slender, wearing white embroidered silk Hanfu with layered translucent sleeves, silver waist seal, jade pendant, and white cloth boots. Character B | Junior Sister Use the uploaded image to strictly lock Character B: an East Asian female, 20–25 years old, cheerful round face, braided black hair, petite figure, wearing lime green Hanfu, dark waist belt, wooden hairpin, and black cloth shoes. [Core Creature Setting] Only one adult giant white qilin and three young qilin appear throughout. [Shot 1 | 0–5s | Wide Tracking Shot] Twilight in a mist-covered sacred valley filled with ancient stone statues, glowing spirit flowers, moss-covered ruins, and a quiet stream reflecting the fading sky. The senior sister walks carefully with her silver longsword drawn while the junior sister follows several steps behind carrying a lantern. A heavy rumble echoes through the valley as enormous glowing blue eyes slowly appear behind the mist. [Shot 2 | 5–10s | Medium Shot] The massive white qilin slowly steps into view, its crystal antlers glowing softly and its enormous hooves shaking the earth. The senior sister raises her sword protectively and says, "Spirit beast, reveal your intentions!" The qilin calmly lowers its head, gently nudging aside a fallen tree to uncover a narrow mountain path blocked by debris. Wind stirs both sisters' robes as the atmosphere remains tense. [Shot 3 | 10–15s | Orbit Reveal to Close-up] The camera circles behind the qilin, revealing three fluffy baby qilin happily chasing glowing butterflies while the adult patiently watches over them. One playful cub accidentally bumps into the senior sister's leg before hiding behind its parent. The junior sister quietly smiles and says, "Senior sister... it thought we were lost." The senior sister lowers her sword with slight embarrassment as the giant qilin gives a calm, almost amused snort before leading the family down the newly opened path. [Technical Requirements] Strict total duration of 15 seconds, 16:9 widescreen, three coherent shots, native synchronized Mandarin dialogue, stable character faces and clothing, consistent appearance of one adult white qilin and three cubs, realistic fur, crystal antlers, mist, silk fabric, flowing hair, environmental lighting, and physical motion, no subtitles, no modern elements. [Negative Prompts] blurry, bad quality, low quality, low resolution, noisy, jpeg artifacts, watermark, text, error, deformed, mutated, bad anatomy, poorly drawn hands, bad composition, out of frame, disfigured, inconsistent character, changing clothes, face morphing, background shift, glitching cuts, disappearing props

15-Second Silent Storyboard Stylized 3D | Rounded character design | Expressive facial animation | Tactile materials | Warm cinematic lighting | Playful physical comedy → sincere emotion No dialogue, subtitles, logos, or readable text. Total runtime: 15 seconds Aspect ratio: 16:9 Character: “Pip” — small, highly rounded, soft-bodied figure with stubby limbs, a tiny tuft of hair, and oversized expressive eyes. Matte, slightly squishy surface with subtle fabric texture on the limbs. Setting: Cozy room at golden hour. Soft knit blankets, warm wooden floors, plush cushions, open window with sheer curtains. Warm key light, gentle volumetric dust motes, soft rim light. Shot 1 | 0:00 – 0:03 Wide shot, gentle push-in. Warm light streams through the open window. A single autumn leaf drifts in and lands on the floor. Pip sits on a cushion, slightly slumped. Head turns. Eyes widen the instant the leaf is seen. A tiny hopeful smile appears. Pip leans forward eagerly — overbalances and tips onto hands and knees with a soft rubbery bounce. Emotion starts quiet; comedy begins immediately. Shot 2 | 0:03 – 0:06 Tracking medium-wide, low angle. Pip scrambles after the floating leaf. Jumps with full-body effort — misses. Lands with a comedic squish, cheeks puffing. The leaf settles on the edge of a low table. Pip climbs up (one leg kicks comically in the air), reaches… a soft curtain billows and the leaf sails away. Pip tips backward off the table in exaggerated physics and lands in a pile of cushions with a soft whump. Physical comedy peak — rubbery momentum and recovery. Shot 3 | 0:06 – 0:09 Medium shot, following Pip. Pip bursts out of the cushions, determined. Uses a rolled blanket as a quick ramp, launches a small leap toward the leaf now floating near the windowsill. Misses by a hair, tumbles into a short forward roll, and ends seated with a quick dizzy head-shake. Eyes lock back on the leaf. Comedy remains playful and light; determination stays charming. Shot 4 | 0:09 – 0:12 Closer medium → close-up, slow push-in. Pip carefully climbs onto the windowsill. Freezes. Eyes huge. Both stubby hands rise and gently cup around the leaf. A tiny draft threatens it. Pip’s eyebrows knit in concentration. Hands close the final millimeter. Success. Shift from comedy to pure care. Shot 5 | 0:12 – 0:15 Close-up on hands and face, then very slow gentle pull-back. Pip opens the hands. The leaf rests in the soft palms, wrapped in warm window light. Eyes soften completely. A small, genuine, almost shy smile forms. Pip brings the leaf close to the chest and holds it. Camera eases back slightly as Pip sits content on the windowsill, curtain drifting, dust motes floating. Fade to black on the quiet, sincere moment.

Create a 14-second cinematic fish cooking advertisement in 16:9 landscape, ultra-realistic 4K quality with warm cinematic lighting, rich food textures, and premium commercial aesthetics. The video begins with a fresh fish being washed under clean running water in a modern luxury kitchen while water droplets sparkle naturally. Next, the fish is evenly coated with red chili powder, turmeric, black pepper, salt, garlic paste, ginger paste, lemon juice, and fresh herbs, with detailed close-ups of hands gently rubbing the spices into the fish. The seasoned fish is then placed into hot oil, where it sizzles and fries to a crispy golden-brown finish with slow-motion bubbling oil and rising steam. After frying, the fish is beautifully plated on a premium ceramic plate with lemon slices, fresh herbs, onion rings, and a small dipping sauce, while soft steam rises to enhance its freshness. In the final scene, a stylish young woman sits at a dining table, smiles as she takes a delicious bite, then gently lifts the plate toward the camera to showcase the perfectly cooked crispy fish. Use smooth cinematic camera movements, shallow depth of field, realistic steam, vibrant colors, elegant transitions, and luxury food-commercial quality throughout, ending with the on-screen text: "Taste the Freshness, Feel the Flavor!

7-shot cinematic handheld smartphone food vlog, ultra-photorealistic, authentic travel VLOG aesthetic. Natural handheld movement with subtle focus breathing, casual framing, realistic exposure shifts, warm evening lantern lighting, shallow depth of field, soft film grain, immersive documentary realism. A young woman (reference image) explores a lively Korean night market and sits at a small outdoor street-food stall. The reference image determines only her facial identity and hairstyle. Outfit: oversized cream linen shirt with sleeves rolled to the forearms, dark relaxed-fit trousers, white sneakers, simple canvas shoulder bag. She stays seated at the same counter facing the camera throughout the meal. No other faces are visible—only the vendor's hands occasionally enter the frame while preparing food. The counter is filled with a sizzling black stone plate of Korean cheese dakgalbi (spicy chicken, melted mozzarella, cabbage, rice cakes, sweet potatoes, sesame seeds, green onions), chilled barley tea, stainless chopsticks, wooden spoon, pickled radish, kimchi, and paper napkins. The background features glowing neon Korean signs, hanging lanterns, rising steam, distant conversations, food stalls, and a vibrant summer evening atmosphere. Shots 1. The sizzling dakgalbi arrives with steam rising dramatically. She smiles excitedly and says: "와... 냄새 진짜 좋다!" 2. Close overhead shot as the vendor stretches the melted cheese across the pan with metal tongs. 3. She wraps cheesy chicken around a rice cake, takes a big bite, laughs, and fans her mouth playfully from the heat. 4. She sips cold barley tea, exhales with relief, then quietly says: "ì´ ì¡°í•© 최고다." 5. She picks up kimchi and pickled radish between bites while enjoying the smoky flavors. 6. Nearly finished meal. She gives a satisfied nod and says: "다ìŒì— ë˜ ì™€ì•¼ê² ë‹¤." 7. Empty sizzling plate remains on the counter. She leans back smiling while colorful neon reflections glow behind her as the bustling night market continues. Audio Design Only authentic environmental sound: sizzling grill, bubbling cheese, chopsticks, metal utensils, tea pouring, distant market chatter, footsteps, soft breeze, and ambient city nightlife. No background music, subtitles, logos, watermarks, duplicate reference images, or artificial sound effects.

{ "model": "seedance-2.0", "task_type": "generation", "task": "generate_video", "priority": { "primary": "handheld close-combat fight sequence inside a moving subway car — young woman with orange hair dismantles multiple male attackers using poles, seats, tight-space acrobatics, then walks away unfazed", "secondary": "casual dominance — size disparity, effortless precision against brute force, nonchalant aftermath as if nothing happened" }, "reference": { "use_reference": "<<image_1>>", "description": "young east asian woman, chin-length bright orange-red hair, white wired earphones, dark bomber jacket over white t-shirt, blue slim jeans, boots — lean athletic build, composed neutral expression; attackers: 3–4 men of varying builds — one slim in black jacket, one stocky bearded in grey hoodie, one large dark coat, one in khaki pants" }, "sound": { "type": "diegetic only", "layers": [ "subway car rattle and wheel screech on rails, constant low rumble", "sharp impact thuds — fist and boot on body, deep meaty hits", "metal pole clang — hands and bodies slamming against grab bars", "fabric rip and shuffle — jacket friction during grapples", "heavy bodies hitting plastic seats and floor, hollow thud", "earphone dangling click against jacket zipper between strikes", "muffled PA announcement bleeding through speakers" ] }, "camera": { "type": "handheld tracking, tight interior coverage", "height": "shoulder level ~150cm, drops to hip level during ground exchanges", "movement": "reactive handheld — follows the woman's movement through the car, quick pans on strikes, slight push-ins on impacts, pulls back for acrobatic beats, stabilizes for aftermath wide shot" }, "environment": { "setting": "interior of a moving subway car — blue molded plastic seats, chrome grab bars and poles, overhead fluorescent panel lighting, ad posters and route maps on walls, sliding doors with dark windows", "lighting": "harsh overhead fluorescent — cool white, unflattering, creates hard shadows under brows and jawlines, specular glints on chrome poles, warm orange spill from tunnel lights streaking past windows", "atmosphere": "confined, claustrophobic, rattling — car sways and lurches during the fight" }, "action": { "phase_1": "0:00–0:03 — woman stands near door with earphones in, one attacker grabs her shoulder from behind; she reacts instantly, pivots", "phase_2": "0:03–0:08 — explosive close-quarters combat — she uses the grab pole as leverage for an aerial kick, sends the first attacker into seats, engages second attacker with rapid strikes and a headbutt", "phase_3": "0:08–0:12 — fight escalates to multiple opponents — she blocks, counters, uses tight space to advantage, slams one man into the door, knees another, grapples using overhead bars", "phase_4": "0:12–0:15 — all attackers are down on seats and floor — she stands, calmly fixes her hair, puts earphone back in, grabs the overhead bar and rides the train as if nothing happened, other passengers stare in shock" }, "style_control": { "duration": "15 seconds", "tone": "gritty urban action, grounded choreography, minimal wire-fu — emphasis on weight and impact", "no_artifacts": "no flicker, no morphing, consistent hair color across all frames, stable body count — no extra or disappearing attackers, no clipping through seats or poles, consistent interior geometry, no floating limbs during fast motion" } }

The setting/location is inside an electric train that is in motion with passengers inside. The train is running on its rail that is cutting across the desert. The camera recording starts from outside above the train recording it moving in lightening speed at 360° then we start dolly-in fast and then slows down as it enters into one of the train coaches with a few passengers, then cuts to one side of the door where the door is kicked and open with a bang, a japanese woman is being chased by a group of 5 to 7 men, but when she reaches the other end of the coach, instead of continuing to run, she stops then turns aroumd to face the 5 to 7 thugs who were chasing her, suddenly she make a Kungfu pose and boom they start to fight.... the japanese woman who is good in kungfu amd kickboxing deals with them thoroughly breaking there limps and they are crying with some funny painful sounds, then cuts to above the train on the ceiling from outside another group of 2 men who she also deals with them, it ends while she looking at the camera