Ethereal Fashion Portrait

@image1: the same young woman as the reference photo, oval face, tan-fair skin, brown eyes, full lips, long straight-to-wavy light brown hair with soft caramel-blonde balayage, center part, a few loose strands lifting in the sea breeze. Face and hair 100% match the reference. SELFIE: a real front-camera iPhone selfie, her right arm extended toward the lens and visibly cropped at the lower-left edge of the frame, phone held slightly above eye level and tilted a few degrees, face in the upper-middle third, slight natural wide-angle perspective from the front camera, head tilted a little to one side, chin down a touch, soft closed-lip half smile, eyes looking straight into the lens, relaxed and effortless like she took it in two seconds between stops. OUTFIT: a butter-yellow linen button-up shirt dress with short rolled sleeves, top button open at a modest collar, softly creased natural linen, a thin tan leather belt at the waist, oversized tortoiseshell cat-eye sunglasses pushed up on her head holding her hair back, small chunky gold hoop earrings, a delicate gold chain with a tiny coin pendant, the woven straw strap of a tote bag resting on her shoulder. BACKGROUND: a narrow sunlit hillside lane in a Mediterranean coastal village, whitewashed and pale-lemon plaster walls, a green wooden door with peeling paint, a lemon tree heavy with bright yellow lemons leaning over a stone wall, terracotta pots of pink geraniums on the steps, and a sliver of glittering turquoise sea and pastel rooftops far below between the houses, softly out of focus with natural phone-camera background blur. LIGHT: warm golden late-afternoon sun from the side, color temperature around 3800K, warm glow on one cheek and the bridge of her nose, soft dappled lemon-leaf shadows across her shoulder and collarbone, gentle warm bounce from the pale walls filling the shadow side of her face, highlights slightly blown on the walls and sky like a real phone exposure. REALISM: unretouched phone photo, visible skin texture and pores, faint freckles on the nose, natural sun flush on the cheeks, a light sheen on the forehead, individual flyaway hairs catching the sun, real linen weave and wrinkles, slight front-camera softness at the edges, faint noise in the shadows, true-to-life colors, 4:5 vertical. Fully clothed, modest coverage throughout, no swimwear, no exposed midriff. Avoid: changing her face or hair, studio lighting, beauty-filter smooth skin, perfect symmetry, both hands visible holding the phone, a phone visible in frame, brand logos, text, extra people.

UPLOAD A REFERENCE IMAGE BEFORE GENERATING. MAIN PROMPT Create a premium editorial gemstone-collage portrait using the uploaded image as the only identity reference. Cover the visible face with randomly hand-applied Y2K gemstone and rhinestone details while keeping the image photorealistic and immediately recognizable. FORMAT LOCK Vertical 3:4 composition. Preserve the original subject, pose, framing, background and overall fashion-editorial composition. STYLE TRANSFER Transform the portrait into a nostalgic 2000s-inspired gemstone fashion editorial while preserving the original photograph and identity. The gems should look physically applied and photographed, not digitally illustrated. DETAIL & COLOR Use tiny and small glossy acrylic gems, rhinestones and miniature plastic charms with translucent, candy-like finishes. Mix stars, hearts, flowers, moons, diamonds, crystals, circles, rectangles, clouds and faceted shapes. Random Y2K palette: baby pink, hot pink, cherry red, orange, lemon yellow, aqua, lavender, clear crystal and silver. Vary size, shape, color, spacing and orientation. Include transparent and semi-transparent gems with realistic highlights, reflections, adhesive thickness and subtle shadows. COMPOSITION LOCK Preserve exact facial identity, facial structure, hairstyle, skin tone, clothing, pose and background. Keep both eyes and lips completely visible. Scatter gems naturally across the forehead, cheeks, nose and jawline with uneven density: some areas sparse, others heavily decorated. No symmetry, grid or repetitive pattern. If a phone is visible, decorate its case with matching gems; if no phone is visible, add none. STYLE Premium fashion editorial photography, artistic mixed-media portrait, Y2K collectible gem aesthetic, nostalgic 90s/2000s atmosphere, soft directional beauty lighting, subtle cinematic contrast, analog film grain, tactile physical-gem realism, refined magazine aesthetic. NEGATIVE PROMPT Altered identity, beautified facial features, changed clothing, changed background, covered eyes, covered lips, symmetrical gem pattern, repetitive gems, grid arrangement, identical gem sizes, flat graphics, digital gemstones, vector art, CGI look, cartoon, anime, blurry texture, excessive desaturation, text, logos, watermark, low quality.

painterly art style

PROMPT SETTINGS City: London Travel Card: London Day Travelcard Hero Landmark: Big Ben and Palace of Westminster Main Vehicle: Classic red London double-decker bus Doodle Elements: London Eye, Changing of the Guard, Tower Bridge, Southbank skyline Accent Color: London red MAIN PROMPT Create a premium photorealistic miniature travel-poster diorama for {{City}}, presented as a physical 3D pop-up scene on a warm cream/off-white paper background. FORMAT LOCK Vertical 3:4 composition. Clean editorial travel-poster layout. Balanced negative space. Keep the composition elegant and uncluttered. FOREGROUND A realistic human hand holds a vintage-style {{Travel Card}} vertically on the left side. Preserve realistic hand anatomy, skin texture, fingers, paper thickness, subtle grain, and believable card typography. MINIATURE CITY Behind and partially emerging through the card, build a detailed miniature {{City}} scene featuring {{Hero Landmark}} as the main architectural focal point. Include a {{Main Vehicle}} on a realistic miniature street, tiny pedestrians, cyclists, street signs, pavement, and small city details. Make the entire scene physically extend from the card like a handcrafted pop-up diorama with layered surfaces, realistic depth, contact shadows, and natural perspective. TRAVEL DOODLES Surround the central diorama with delicate black-and-gray hand-drawn travel illustrations: {{Doodle Elements}}. Add subtle handwritten travel notes and thin architectural sketches while keeping the surrounding area minimal and refined. STYLE & MATERIALS Photorealistic miniature architecture. Physical paper-cut and pop-up construction. Warm editorial travel-magazine aesthetic. Vintage paper grain. Subtle ink imperfections. Tactile paper textures. Refined scrapbook composition. Realistic miniature materials and surfaces. LIGHTING Soft natural studio lighting. Warm cinematic illumination. Gentle shadows. Realistic depth and reflections. Shallow depth of field around the edges with crisp central details. COLOR Sophisticated warm neutral palette with {{Accent Color}} accents. Keep the cream paper background dominant and allow the London red details to provide visual contrast. OUTPUT STYLE Premium travel postcard. Luxury editorial travel artwork. Cinematic miniature product photography. Highly realistic hand and fingers. Museum-quality paper diorama. Ultra-detailed 8K rendering. NEGATIVE PROMPT Avoid clutter, excessive doodles, random landmarks, incorrect architecture, unrealistic hand anatomy, extra fingers, distorted fingers, floating objects, flat illustration, CGI-looking miniatures, plastic textures, excessive text, unreadable typography, duplicated elements, logos, watermarks, blurry central details, or low-quality rendering.

Eight shots of one character on a single page, with captions, camera arrows and a floor plan. The character is SUMI, an original character FlyAIgh designed in-house. Not a real person. She fights three helmeted couriers in the corridor of a sleeper carriage. The prompt asks for a header, eight shots with a caption each (lens, camera move, duration, action, dialogue), camera-move arrows, a light shift from warm corridor lamps to tunnel light to a cold platform, and a footer floor plan with five compartments, movement paths for SUMI and couriers C1 to C3, and four camera wedges.

The prompt describes the poster as a flat straight-on view of the printed sheet: warm off-white uncoated paper, one neo-grotesque typeface set small, a 4 by 3 grid with narrow gutters and a wider margin above than below. Every frame is the same old brick building photographed at night from across the street at the same distance, one tall sash window with a white frame and stone sill centred in each. The twelve rooms are listed one by one, from a man reading under a lamp to a room being renovated with a stepladder, nothing legible inside any window. The four lines of text are the title, a subtitle, the venue and dates, and Free entry.

Create an ultra-realistic black-and-white graphite pencil portrait drawing of a beautiful young woman, presented as a highly detailed traditional hand-drawn pencil sketch on textured off-white paper. Composition: Vertical portrait, centered framing, upper-body shot. The woman is facing directly toward the camera with a gentle, confident smile. Her head is positioned near the upper center of the frame, with her shoulders and upper torso visible. Elegant, balanced and intimate composition. Face: Delicate feminine facial features, symmetrical face, softly defined cheekbones, small refined nose, naturally shaped lips with a subtle smile, expressive large eyes looking directly at the viewer. Highly detailed irises, realistic eyelashes, soft eyebrows, subtle natural skin texture, fine graphite shading around the eyes, nose, lips and cheekbones. Realistic facial proportions and anatomy. Face Finishing: Keep the face exceptionally clean, smooth, refined and professionally finished while preserving the natural traditional pencil appearance. Use very light, delicate graphite strokes and soft tonal transitions across the forehead, cheeks, nose, lips, chin and jawline. Maintain clean white highlights and avoid harsh, muddy or overly dark facial shading. The skin should appear naturally smooth and polished, with subtle realistic texture rather than heavy pores or rough pencil marks. Keep the facial contours crisp and elegant while retaining the original delicate pencil-line aesthetic. Do not over-smooth or make the face look digitally retouched; preserve the authentic hand-drawn graphite character and light pencil shading. Body & Skin Finishing: Keep all visible skin on the neck, shoulders, arms and hands clean, smooth and refined with very subtle light graphite shading. Preserve natural anatomy and realistic proportions. Use soft, controlled pencil strokes with gentle transitions between light and shadow. Avoid heavy graphite buildup, dark patches, rough textures, messy strokes or excessive shading. Maintain bright, clean areas of skin and the delicate appearance of lightly rendered pencil artwork. Hair: Long, thick, dark hair extending past the shoulders. Elaborate braided crown hairstyle wrapping around the top and sides of the head, with intricate individual strands. Long straight/wavy hair falling naturally down both sides. Detailed graphite strokes defining individual hair strands and braids. Full straight bangs/fringe falling across the forehead and slightly over the eyebrows. Pose: One hand is raised naturally beside her face, with the index finger gently touching her cheek near the corner of her mouth. Her other hand is holding a large bouquet of roses against her chest. Realistic hand anatomy, natural fingers and joints, delicate pencil shading. Flowers: Large bouquet of realistic roses held against the chest, several fully opened roses and partially opened buds, dense overlapping petals, detailed leaves and stems.

Create one independent editorial-style poster for each uploaded photo. Do not make a collage. Process and output each photo separately. Use a strict 3:4 vertical composition, divided horizontally into two exactly equal sections, each occupying 50% of the canvas. TOP HALF — ORIGINAL PHOTOGRAPH Preserve the original photo. Keep the main subject unchanged while retaining its realistic texture, natural lighting, and original color atmosphere. Apply only subtle editorial-grade color correction to create the refined feel of an art magazine, independent publication, or exhibition photography. To fit the composition, you may gently extend the sky, ground, or surrounding environmental background, but do not stretch, distort, or alter the main subject. BOTTOM HALF — LAYERED PAPER CUT / PAPER ART REINTERPRETATION Reinterpret the most recognizable subject, silhouette, pose, and spatial relationships from the photo as a minimalist layered paper-cut / paper-art composition. Use one primary subject as the visual anchor. Do not mechanically reproduce every detail. Instead, reconstruct the key silhouette, proportions, and structure through folding, cutting, layering, and overlapping. Transform only a few supporting environmental elements into foreground, midground, and background paper layers. Use scale contrast, negative space, clean alignment, and front-to-back layering to make the subject immediately recognizable while maintaining a restrained editorial composition. COLOR & MATERIAL Extract the most distinctive and recognizable colors from the original photo, then reduce them into a limited and harmonious paper-art palette. Use warm ivory or light-colored paper as the base, supported by a small amount of stronger accent colors, darker structural tones, soft transitional layer colors, and very limited highlights. The material should resemble high-quality matte cardstock, with subtle visible paper fibers, clean cut edges, and soft contact shadows under natural diffused lighting. Emphasize the tactile quality of real handcrafted paper art. Avoid glossy plastic-like 3D effects, cheap craft-paper aesthetics, neon colors, and overly saturated or complex gradients. EDITORIAL TYPOGRAPHY SYSTEM Add a refined editorial typography system. Based on the identity, location, action, material, emotion, or symbolic meaning of the subject, create one short main title. Add 2–4 groups of smaller supporting text. These may include object names, location information, numbers, sequence markers, coordinate-like numbers, direction words, status words, material descriptions, classification labels, or a very short poetic phrase. Do not use any year or date. The main title should convey emotion and identity, while the smaller text should add rhythm, structure, and refinement. TYPOGRAPHY INTEGRATION Integrate the typography naturally into the composition so that it interacts with the paper-cut forms. Arrange text along paper-layer edges, subject contours, geometric axes, or areas of negative space. Use horizontal or vertical typesetting, rotated text, generous letter spacing, edge alignment, corner placement, cross-section layouts, embedded typography, or partially overlapped text. The main title may have a subtle paper-cut or folded-paper quality, while the supporting text should remain thin, modern, restrained, and precise. The final result should feel elegant, tactile, balanced, art-directed, and distinctly editorial.