Girl and Wolf Pup in a Fantasy Wilderness

Character A: the first uploaded reference image — white-and-black skeletal armor, exposed dark mechanics, a smooth animal-eared mask, torn black drapery, and a long polearm with a curved silver blade. Character B: the second uploaded reference image — red-white-black armor, a smooth animal-eared mask, ornate black tied hair, a circular red-and-white back ornament, trailing fabric, and a curved-blade polearm. Create a ~15-second cinematic battle PV from the final round of a fictional next-generation fighting game. In a vast circular arena with a dark floor and hard white lighting, both androids explode forward. A opens with a low sweep; B vaults over it and counters downward. A blocks, redirects the impact, and launches B upward with a rising combination. A pursues: spin, strike, brief suspension, sudden re-acceleration. B recovers midair, hooks A’s weapon aside, reverses positions, and answers with a flowing aerial chain using the polearm, armored legs, and full-body rotation. Both dive, skim across the floor, then curve back into another high-speed collision. Give both equal showcase time. Emphasize near-weightless aerial control, abrupt acceleration, split-second pauses, elegant continuous combos, weapon trails, shockwaves, and sparks. Camera: ground-level chase, aerial orbit, sharp cuts for exchanges, close-ups on impacts. Add driving rock music and heavy combat SFX. Final 2–3 seconds: one decisive clash. Do not preselect the winner. Seedance must choose either A or B as the sole victor, keep the defeated fighter visible, and end on a weapon-based victory flourish with a low circling camera, light, sparks, and a final musical hit.

SUBJECTS: Subject 1: Lean kung fu chef with short, sharp-cut hair and defined jawline. Wears a modernized Chinese chef outfit fused with martial arts attire: fitted sleeveless upper garment with mandarin collar, dark matte fabric with subtle sheen; forearms wrapped with cloth bands for grip; loose tapered pants allowing wide stances; soft-soled shoes for silent footwork. Limbs slightly exaggerated in length; wrists highly flexible, elbows explosive. Movements follow clear martial rhythm (pause → burst → lock), with grounded footwork and fast pivots. ENVIRONMENT: Traditional Chinese open-fire stove setup; iron wok fixed on stove; reflective metal counter; blue-and-white porcelain bowl placed in foreground center. Warm overhead light combined with intense dynamic firelight; light oil smoke and visible heat distortion. MOOD: High tension, aggressive, but controlled and precise; performance feels intentional and elegant rather than chaotic. TIMELINE: 0:00-0:02: Extreme close-up, wide-angle POV. The chef stands on the ground behind the counter (counter always between camera and chef), steps in, compresses posture, then snaps his head up to lock eyes with camera. Both hands grip dough—he stretches it in one clean pull, folds once, then pulls again. The dough transitions from a single mass into a small number of even strands. 0:02-0:05: Cut. Slight handheld motion. The chef keeps full control of the noodle bundle in both hands, stretching and aligning the strands into clean, parallel lines through fold → align → stretch cycles. Around 8–12 thin strands extend in smooth arcs, passing close to the lens in clean, readable motion. He finishes the pull and places the aligned noodle bundle neatly onto the counter in front of him. 0:05-0:07: Move (slight recoil then stabilize). The chef lowers into a sliding step behind the counter. One palm sweeps across the surface—shrimp and greens lift and travel in a controlled arc into the wok. The wok remains on the stove; the chef grips only the handle. Any stray ingredient is clearly caught and redirected into the wok. 0:07-0:10: Continuous shot. The chef controls the wok only through handle movement and qi force—no hands enter the wok. He lifts, tilts, and snaps the wok using wrist power; ingredients rise, rotate, and fall back into the wok. His elbow strikes the stove edge—sparks burst. He compresses the wok into the flame, then reverses to pull the flame upward into a second controlled flare. 0:10-0:12: Match move tracking. The chef pivots while holding the wok handle

Created a video in a cinematic, ultra-realistic storytelling style: a cute brown bear cub walks across a peaceful countryside farm toward an old vintage blue car parked near a rustic wooden barn. The bear curiously approaches the car, climbs inside, and naturally sits in the driver’s seat with its paws on the steering wheel. The camera captures close-up details of the bear’s realistic fur, expressive eyes, tiny paws, and the aged interior of the classic car. The car then starts moving slowly along a wet rural road, creating subtle reflections and natural motion. Wide cinematic shots reveal green fields, hay bales, a small farmhouse, and warm golden-hour sunlight in the background. Use smooth camera movements, realistic depth of field, soft lens flare, natural shadows, detailed textures, and authentic environmental lighting. The overall mood should feel charming, adventurous, cinematic, and slightly playful, with realistic animal movement and believable interaction with the car, filmed like a high-budget wildlife movie.

Create a 10-second photorealistic luxury fashion commercial, 16:9, based on the reference storyboard. Pure black infinite studio, STRICT first-person POV, centered full-body framing. The same adult woman remains visually identical throughout: 25–30, tall, slim, long dark-chestnut wavy hair, refined face, natural makeup. Two masculine hands in matte-black gloves remotely control the clothing without touching it. No visible telekinetic effects — movement is shown only through realistic fabric tension, weight and inertia. 0.0–1.0s — FOCUS. Woman wears an outdated oversized beige top, loose grey trousers and worn grey sneakers. POV hands extend toward her. The clothes stretch outward under invisible force. 1.0–2.0s — FORCE PULL. Hands sharply separate. Beige top, trousers and sneakers detach as complete garments and fly sideways. Nothing tears or dissolves. She remains covered by a minimal opaque black fashion base: fitted black crop top, high-waisted fitted black shorts and simple black pumps. 2.0–2.8s — STOP. Hands open sharply. The old garments suddenly stop and briefly remain suspended around her with realistic residual movement. 2.8–3.5s — DISPATCH. Hands sweep outward, throwing all old garments completely out of frame. 3.5–4.7s — PULL. Hands pull inward. Premium clothing rapidly flies from the darkness toward her: burgundy satin top, high-waisted black wide-leg trousers, structured black blazer, pointed black heels, slim black belt, gold earrings and small black handbag. 4.7–6.0s — ORBIT. The new garments dynamically circle the woman. POV hands precisely control their trajectories. Realistic fabric folds, weight, momentum and aerodynamic movement. 6.0–7.2s — ASSEMBLE. Hands sharply converge. All garments simultaneously move into their correct positions: trousers, burgundy top, blazer, heels, belt and accessories physically assemble into one finished luxury look. No morphing or dissolving. 7.2–8.5s — HERO. Hands leave frame. Clean full-body hero shot. Woman confidently poses in the completed black-and-burgundy luxury outfit. 8.5–10.0s — TOGETHER. One gloved POV hand reaches toward her. She takes it and confidently walks directly toward the camera while holding hands, moving from full-body to close-up until she fills the frame. Photorealistic premium fashion campaign, dramatic studio lighting, deep blacks, realistic skin and fabric, cinematic contrast, fast elegant choreography, strong POV depth. No identity changes, nudity, transparent clothing, extra people, text, particles, beams, glow, smoke, magic, teleportation or unrealistic cloth physics.

Create a 4-second vertical (9:16) Full body reference induction video. Use a very slow, steady camera push toward the character. The entire character remains visible from head to boots throughout the clip. Preserve exact facial identity (when visible), silhouette, proportions, armor, clothing, colors, equipment, materials, and role. The character performs only natural idle behavior: • calm breathing • subtle weight shift • one natural blink if appropriate • minimal cloth, hair, fur, feather, or cape movement caused by the environment • one tiny head movement or glance if natural Weapons remain at rest. No attack. No flourish. No exaggerated posing. No spinning. No dramatic camera movement. No scene transition. The environment is quietly alive through subtle ambient motion only: wind, mist, rain, dust, ash, insects, torchlight, steam, leaves, banners, smoke, or water depending on the location. Natural ambient audio only. No music. He holds the space. The character should feel observed rather than introduced. The clip ends with the character standing naturally in exactly the role they belong in. Recognition before spectacle. Reality before fantasy. Identity before performance.

A continuous 12-second, photorealistic handheld smartphone video shot in raw 4K vertical format along a paved countryside road. Seconds 0–4: Wide tracking shot following a large white domestic goose sprinting along the asphalt. An orange tabby cat is mounted firmly on the goose's back, front paws wrapped tight around the goose's neck, whiskers flattened by the wind. Just behind them, an excited golden retriever bounds into frame at full sprint, barking furiously in loud, breathless bursts as it tries to catch up. Seconds 5–8: The goose suddenly swerves off the tarmac onto a soft grass verge and brakes hard. The ginger cat instantly dismounts, hits the turf, and drops into an absurd, ultra-fast, cartoonish four-legged turbo-gallop—legs moving in a manic, high-speed blur. Instead of fleeing into the bushes, the cat loops in a blazing circle and dashes straight past the confused dog's legs. Seconds 9–12 (The Twist): The golden retriever skid-stops, head swiveling in complete bewilderment as the hyper-speed cat springs straight back onto the waiting goose’s back like a pro stunt rider. The goose immediately accelerates away down the road, leaving the dog sitting on its haunches, panting dumbfoundedly as the duo escapes. Visual & Style Specs: Raw viral phone footage, realistic physics for the animals with high-frame-rate comical leg-blur for the cat's hyper-sprint, sunny natural lighting, true fur/feather textures, dynamic handheld camera sway. Audio Track: Rapid rhythmic footfalls on tarmac, energetic dog barks and panting, abrupt goose honks, set against an off-camera woman wheezing into uncontrollable, hysterical snorting laughter that completely loses it when the cat engages ultra-fast sprint mode.

使用上传的开门视频作为主要动作和人物参考，使用上传的奇幻世界图片作为房门另一侧的环境参考。完整保留原视频中房门打开前的全部内容，包括人物身份、五官、发型、服装、身材比例、房间结构、门框、墙壁、镜头位置、构图、光线和开门动作。不要修改、替换或重新设计原视频中的人物和现实环境。房门关闭时，画面必须与原视频完全一致。人物按照原视频中的动作自然走向房门并将其打开。只有当门缝真正出现时，奇幻世界才逐渐从门后显现。不要提前显示奇幻环境，也不要让现实房间突然整体变形。门打开后，将门后的原始空间准确替换为参考图片中的奇幻世界。保持参考图的主要地貌、建筑、植物、天空、色彩、光线和空间层次，使它看起来像真实存在于房门另一侧，而不是贴在门上的平面图片。门框、门板和现实房间必须保持稳定。奇幻世界只能出现在门框内部，不能溢出到墙壁、人物身体或现实空间中。门框边缘必须清晰，遮挡关系准确，透视与原视频的拍摄角度一致。房门完全打开时，一阵轻柔的风从奇幻世界吹入房间，让人物的头发和衣物产生轻微、自然的摆动。柔和阳光从门后照进现实房间，在人物、门框和地面上形成符合方向的光线、阴影和暖色反射。光线变化必须渐进自然，不能突然闪烁或过度发光。人物穿过房门时，保持原有外貌、服装和身体比例，不得变形、复制或改变身份。人物的脚步、身体重心和运动速度必须符合现实物理规律。准确处理人物与门框之间的前后遮挡关系，让人物真正从现实房间跨入奇幻世界。进入门后，人物继续向前移动，并自然地在奇幻环境中奔跑或探索。镜头延续原视频的运动方式，不得突然切换视角、环绕人物或变成无人机镜头。现实世界与奇幻世界之间的空间连接应连续、稳定且可信。奇幻环境可加入轻微自然运动，例如树叶摆动、草地起伏、云层缓慢移动、远处薄雾漂浮、阳光穿过树木，但不要加入剧烈风暴、爆炸、魔法闪光或与参考图无关的元素。整体效果应写实、梦幻且具有电影感，像人物真的打开了一扇通往另一个世界的门。禁止出现人物变脸、服装改变、身体变形、多余人物、重复肢体、漂浮物体、门框扭曲、墙壁融化、环境闪烁、参考图平面化、错误透视、突然转场、镜头跳动、奇幻世界提前出现、门外景色溢出门框、过度发光、文字、字幕、标志和水印。

保留上传的开门视频在房门打开前的全部内容，不改变人物、服装、动作、房间、门框、光线和镜头。使用上传的奇幻世界图片替换门后的原始空间。奇幻世界只能通过逐渐打开的门缝出现，完整限制在门框内部，保持准确透视、遮挡和空间纵深。房门打开时，一阵轻风自然吹动人物的头发和衣物，柔和阳光从门后照进房间，并在人物、门框和地面形成真实光影。人物保持外观一致，按照原视频动作穿过房门，随后进入奇幻世界奔跑和探索。镜头延续原视频，不得突然切换角度。写实电影质感，自然物理效果，环境轻微运动。禁止变脸、人物变形、门框扭曲、画面闪烁、环境提前出现、景色溢出门框、错误透视、突然转场、多余人物、文字、标志和水印。